Including a new preface by the author, this Princeton Classics edition is a definitive work that has found an avid fanbase from students of film theory to major Hollywood filmmakers. Join us as we slash our way through these slashers Sources: 'Men, Women, and Chain Saws: Gender in the Modern Horror Film' (1993) by Carol J. 3 4 Clover is credited with developing the 'final girl' theory in the horror genre, which has changed both popular and academic conceptions of gender in horror films. The lesson was not lost on the mainstream industry, which was soon turning out the formula in well-made thrillers. Season one is all about pre-2000 slashers: The Texas Chainsaw Massacre, Black Christmas, Friday the 13th, Halloween, Candyman, and Scream. Clover's 1992 book, Men, Women, and Chainsaws: Gender in the Modern Horror Film achieved popularity beyond academe. Clover Disponible como Audiolibro Prueba gratuita durante 30 días. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented-notably the slasher movie's "final girls"-as they endure fear and degradation before rising to save themselves. Lee gratis Men, Women, and Chain Saws: Gender in the Modern Horror Film de Carol J. From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s.
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